Saturday, April 11, 2009

by the way...

...in case you haven't figured it out yet, this blog is now on WordPress. Go to turboblues dot wordpress dot com.

Lotsa new stuff there...

Saturday, February 7, 2009

A quick note from Bookman's

I came into town this morning with a pile of old books and CDs to trade at Bookman's. Love this place...

As I walked in, I heard the sound of hand drums. Sure enough, there 's some guy looking intently off in one direction while he tapped his hand on the skin of the drum. Like he's joining a drum ensemble or planning to confer with the gods with this $10 trinket. Then he puts that down and begins tapping a pair of claves together.

Fucking asshole. I looked at one of the guys behind the counter and said, "He's lucky I'm not hung over. Have to hammer those someplace painful."

We really are a species of self-centered asses.

Friday, February 6, 2009

The Basement Tapes

I have a new blog up where I will be putting some old stuff.

How old?

There was a definite beginning to my writing poetry. I took a creative writing class when I was a Junior in High School ad that was where it all started. Some of those will be there. They're rough. Whew!

I am putting these up mainly because they lack a home in either of my books. And, there is historic value. Not to you, no. To me, yes. Very much so. These pages, some brown with time (not the material), are one of a kind and once lost are gone forever. I might actually have a family someday (unlikely sure, but fuck you for thinking I can't) and want to have these where they can be seen.

There are a couple of old pieces I'd frankly forgot about that I think deserve to see the light of day. One is called The Bottle. The other, one of those originals, is called Memories. No need to waste ink on them though, that's what the web is for!

The basement tapes are here. Let me know what you think.

Premia Dardos


So before, I mentioned the quandary I was in. Well, here 'tis...

A lovely lady and wonderful artist named Patrice has selected me for the Premia Dardos. Here is the lowdown on this award...

The Dardos Award is given for recognition of cultural, ethical, literary, and personal values transmitted in the form of creative and original writing. These stamps were created with the intention of promoting fraternization between bloggers, a way of showing affection and gratitude for work that adds value to the Web.

The rules:
1) Accept the award by posting it on your blog along with the name of the person that has granted the award and a link to his/her blog. [Note: Don't forget to copy and paste the award jpeg itself to include on your own blog!]
2) Pass the award to another five blogs that are worthy of this acknowledgment, remembering to contact each of them to let them know they have been selected for this award.

Hmph.

Now as is typical of me, I am teeth-grittingly self-deprecating about any compliment. This is because secretly I am also such a slut for recognition and external validation that no possible amount of sincere acknowledgement could satisfy me. Paradoxically, this is because I hate myself that much, and yet possess such a ridiculous ego nothing I do is good enough for me.

Hah! How's that for truth?

Actually, when I found out that Patrice was actually reading this fool blog of mine, I was taken aback. Seriously, when I started this it was partly because Pete Townshend maintained a blog here (he doesn't anymore). I dropped a few entries in here, then started working it in earnest when I finally published Turboblues. This was also when I had a lighter, more powerful computer I didn't have to tear apart to maintain.

But I didn't think anyone would actually read it. Really, I didn't. But she did. And does. So too do a few others.

I love you all. Seriously, simply.

Anyway, she sent me the e-mail about Premia Dardos on Wednesday and was actually stunned by it, and by her words about my writing. Of course, I was also saying, "YES!! Put that in your pipe naysayers!"

Like I actually have sayers, yay or nay. As I said in the last blog entry (scroll down for it), This is just something I do. I am trying to be honest about what's going on in my life and what goes on in my head and heart.

I never considered myself an artist--really I still don't. I've met people for whom the title is probably more appropriate, and whose works feel much more deliberate than my own. Patrice is one of those people. I can tell this by the work she posts and the words she writes. My oldest friend Marcy is also one of these people. Hers is a formidable talent that took time to find its voice, and it's a voice well-matched to the depth she possesses. See her Embrasures blog and you will understand quickly what I've known for almost 25 years.

If Patrice hadn't already nominated her, Marcy would have been my first choice right out of the box. I think she knows that too. Sorry to be obvious Marcy, but this is sincere.

Which leads me to my quandary (finally, right? Up yours, this is my blog). Rule one is a simple one to follow. I gratefully accept this compliment that Patrice has graced upon me. Humbly. She did not have to at all, and yet she did. Thank you Patrice. From the bottom of my heart, thank you.

Rule two, however, is gonna be a bitch. Other than this here blog, I haven't read much of the blogosphere. A few here and there, but not much. And out of respect to Patrice, and you the reader, and the rest of the blogs and journals out there I need to be straight on that.

So what I will do is this: I will pick the five blogs that I believe would deserve this recognition, and I will tell you about them as I find them. Each one will get an entry here. It's going to take some time, but this will be something of a discovery for me, and I want to share that with you.

So, more later.

Relentless Honesty

So I am in a quandary. As with all quandaries, it is ultimately one of my own making--or non-making.

There is a concept in 12-step recovery known as relentless honesty. It means telling on yourself--opening the doors you bar even to yourself not just to shed light on the icky stuff therein but exactly because doing so is uncomfortable.

My writing evolved as an adjunct to my existence. This is not so much the method I chose for expression as it is the method that chose me. I've grown to understand things about myself and about human nature that I want to get out there. Something about this shared delusion we're in. This was the way I could best express these thoughts I have.

I don't pretend they are important, not for a second. But they are important to me. And faithful reproduction of those concepts has been for many years a compulsion. Finding the most economical words has been something else which evolved as an adjunct to my existence. It's too easy to be verbose.

Poetry--or specifically unstructured prose--is what has evolved for this purpose. Now those thoughts for so long were the protestations and affirmations of love, affection and lust all spun together as Romance. I can spin that emotional yarn all day long, and I think I do it quite well--without it being schmaltzy. Because the feeling is there and true and intense and powerful. Superficial is easy, you see, and the aforementioned Romance is a drug, complete with the rituals and highs and crashes that you'll find with any addictive using.

So I got pretty good at it. I keep those poems around because the feelings were mine to feel and the poetry, like a hologram, is a pretty accurate representation of those feelings and the women who engendered them.

I didn't realize what these feelings really were until later, after I ran into addiction head-on. Then I got an inkling of the nature of my sins--in the Gnostic sense. Hamartia is the word for it. Look it up.

None of this is important, but it's important to me.

I write. That makes me a writer, I suppose. I never attach an appellation to what I do. A writer to me is someone like Hemingway or Fitzgerald or Harlan Ellison. Of course these men are products of another time, when writing as a skill was appreciated, or at least it paid by the word. I am not a writing fool, probably because there is no profit in it. Probably also because attaching monetary value to what I do tends to cheapen the pursuit, in my view. Probably why I am not a success in this culture.

Other than the fact that what I do do for money is almost completely joyless, I guess I am OK with this for now. Money is a means to an end, not the end itself. You might say it makes me a pretentious ass because I don't consider what I do a commodity.

I have learned a thing or two about a thing or two and I need to tell you all about it. It's not important, but it is important to me. The bitch of it is, were we telepathic you'd already know these things from me, or you'd have already told me these very same things. Fuck!

There is a reason for these ramblings, and I will elaborate on them soon. Suffice to say for now that someone has read these things of mine and has bestowed an honor on me. The honor has an interesting price, which I will elaborate upon later. For now, I wanted to clear my head of these things that bugged me all the way up a hill yesterday. Wanna see?

Wednesday, February 4, 2009

Such is Love

Such an attitude
To love.

Pretty things
In showy containers.
Lover as advertisement,
Well marketed.

Targeted toy,
Curious confluence
Of want, need, lust, desire.
Lover as commodity--
So much chattel.

Romance is a blurred chemical overlay.
Sex makes you sore.
Love is horse-trading--
And about as sentimental.

Sunday, February 1, 2009

One More Before...

What I wish I would have known so long ago...

Lost.

Love loss,
A hole in nothing--
Insubstantial
but enough
For me to fall
Through
to...

Nothing.

Dwelling on infinite insubstantials,
That's what this is.
Smoke pondering other smoke.

But why
Does it feel
So very fucking real?

Like a slap,
Like a rough pull.
Same sensoryslam,
I suppose.

But why
Does it feel
So very fucking real?

The feel
Plays like it's real.
The space between
Is really so vast
You have no idea,
No conception.

Dwelling on infinite insubstantials,
That's what this is.
Smoke pondering other smoke.

Jonesing for Enlightenment

A tribute to the Golden Days of Yesterzen...

Jonesing for enlightenment,
I sit zazen.
Tongue tucked tight
To palate,
Eyes on nothing
And everything
Like mind
Monkey mind
Scramble slitherscramble
From tree to tree
Attach to anything
Frantically grabbing
As I watch me
Scramble sittingscramble--

Breathe boy,
Count the breath
And nothing else.

What will it be,
This enlightening?
Will I know?
Will I glow?
Will it show?
I can't wait
For the peace.
I can't wait
For the release.
The sitting's hell
On the knees
The squirrel is skittering
Among the trees
Attach to anything
Frantically grabbing--

BREATHE BOY.

Count the breath
And nothing else.

A love note

She may know, she may never know. I don't know. I just write here.

Your particular writing voice,
Your perspective knowing,
Your weary, worldly smile,
Your rose-petal kisses,
Your embrace comforting above all others.

I am the boy
Who cried love
Once too often.
I understand thus
Why you may not
Believe
When I say
I love you
Now and always,
Before and again.
I who loved foolishly
Love true simple basic
Your soul self
Infinitely
Sincerely.

Thursday, January 29, 2009

Speaking of religion...

The word "religion" comes from the Latin word which also gives us "ligature." It is something that binds people together. Christianity--at least the mysticism that Paul wrote about--was about the perfection of man from creature to christ. It was about the Christ in all of us and how to pull that out from the selfish animals we all are. Meister Eckhart saw that, so did Thomas Merton much later on.

Speaking of Paul, a lot of the writings credited to him were not his. The same man who wrote so kindly to the women of the church at the end of his letters would not also denigrate and devalue them. Should be pretty obvious from reading through them that they could not emanate from the same man, even without the extensive scholarship done over the years that proves the point.

The heaven and the hell of Paul's writings are not physical locations. They are states of mind, states of being. Not some place you go to when you die. We've all been in Hell at some point or another, and in Heaven too. Scan your lives, I know you will find those instances in your memories.

There was no historic figure named Jesus, no miracles, no literal crucifixion or literal resurrection of the body. No original sin either. No good, no evil, no god, no devil. None of that makes any sense. As a series of metaphors however it all begins to fall into place and actually have value.

Christianity as practiced today is a perversion.

Religion at its best can be something to uplift the spirit and to make the world better NOW. Because that's all we have. As I mentioned in this space before, we are all alone. All of us. And the only certain thing we have is that we will all die and return to dust. Religion can be one way of finding solace in this life if solace is what you need. That's why it's the opiate of the masses.

Knowing what I know of opiates, Marx was particularly on the mark when he said that.

Sunday, January 25, 2009

The Church of Context

To Marcy. I couldn't get it out of my head. Which given the topic is an even odder phrase...

My prayer is a sentence,
Carefully considered
Or rafting on the muse's rapids,
To you.

Or so I think.

Dear reader,
God of my understanding,
Do you understand me?

These words are trinkets,
Bought with pain,
Careworn by time,
And I mean every one of them.

But do I understand you
Enough to use
The words that
Unlock your door?

Do you understand me
Enough to see
The color and pattern,
Course and drift
Of context conveyance?

Or, hamartia, did I miss the mark?

Tuesday, January 20, 2009

Roadside Truckstop

Today was a very productive day. I got to sit down and focus on something I've been wanting to do for about a year now, and that's put together a new book. This one goes back to an old friend of mine, Roadside Truckstop. Right now everything is together in one manuscript. I might shift some bits around but it's all there. A lot of running. A lot of lost people. A lot of found people too. And the Elephant Graveyard. This is the introduction I wrote back in 1991 for Roadside Truckstop. Now if I can only come up with a good cover...

The road and I are at odds, and yet it's on my side. It stretches in expansive metaphor with every billboard parable and roadside truckstop vignette. Towns and cities are interludes. Short or longish breaks in the monotony. The urge to take an exit and get lost in a new world is so very compelling, but the task of going home looms just as large.

I covered nearly 1000 miles today. Every stop was like the last: Pull in, get gas, whizz, get a drink, clean the windshield, pay the attendant, zero out the trip meter (to track gas use with--I trust it more than the gas gauge), then get rolling. The encounters I have are where the routine is broken. To every cashier, gas attendant, waitress and peone I run into, I'm a cipher. A blank slate. Just another face in the shuffle. As far as they know, I'm a famous rock star out for some inspiration, or a rich eccentric, or a travel writer, or whatever I wish.

This one truckstop I'd hit was all-encompassing. Reminded me of a starbase. A waystation where you can get a shower, get your laundry cleaned, buy contraceptives in the washrooms, sit and eat in a big restaurant, catch up on the news, get your car or rig repaired, even get a room to sleep in--all in one place. A guy could live and die here.

There's a story in all the people that work there, and a few in the people who're just happening through. Generally it's all pretty laid back, nothing raucous. Kinda like a graveyard it gets so quiet. With all those big rigs, I'd almost call it an elephant graveyard. Really though, it's 'cause everyone's so tired.

Sleep. What a darling concept. Fourteen hours on the road, fourteen more will get me home....

Sunday, January 18, 2009

Finger Pointing at the Moon

I remember the moment quite clearly, though I was sauced at the time.

It was 1989, the birthday party for my friend Marcy. I was in a new relationship with Rhonda, whom I loved very much--at least as much as I thought I could being so young. I knew I loved Rhonda and I knew she'd said she loved me, but I cried because I couldn't feel it. I had her words and actions to go by and nothing else. I told her this but I don't think she understood. I was a drunken mess. What can I tell you. I didn't understand my own thought enough to explain it to her even if I was sober.

The reason I think of this melodramatic tirade from 20 years ago has to do with Colin McGinn. He is an atheist philosopher, one of the six interviewed on the Atheism Tapes (well worth watching. It's on Netflix). In his interview he talked about the "god" concept being around--being so prevalent in society--because it answers the loneliness we all feel because of being locked in our own skulls. We make up this concept because we are all truly very much alone inside ourselves.

I call it the Tragedy of the Human Condition. We are unable to truly convey the thoughts we have. I don't care how much of a command you have over your given language you cannot explain some thoughts so well they will be perfectly understood. That's where art comes in, I suppose. 

We are all alone. All of us.

Do you think perhaps that's really why people can't let go of religion? Why they can't let go of god?

Our soon-to-be-former President and our destructive stay in Iraq spawned, among other things, a wave of atheist sentiment which included three great books: The God Delusion, God is not Great and The End of Faith. All three of these approach the subject of atheism in different ways, each according to the backgrounds of their authors, and with different amounts of vitriol at our species' destructive dance with god.

I spent a lot of time myself going over spirituality, metaphysics and religion over the last 20 years. I came to Zen Buddhism and Taoism early on in that search and liked them both. The fact that neither one requires a supernatural deity or a godman is even more appealing. I'll come back to this later.

I went back and forth with Christian mysticism as well trying to strike a balance between the Catholicism of my youth and the things I knew made more sense. Some of that was also mixed in with Gnosticism, both in its historical sense and in its metaphysical sense. At this point I will direct you to Timothy Freke and his books. He pushes his sources to the limit to make a point but his argument about the "Abrahamic religions" being false and destructive is a valid one.

Freke points out that the story of Jesus is a copy of the mystery cults that were found all over the Mediterranean at the time and posits the theory that the Jesus Movement was one started by Saul of Tarsus (Paul) among others as a Jewish version of the mystery cults. This makes sense given the fact that the story later recounted in the Gospel of Mark (upon which the other three Gospels were based) is essentially a godman story originally written in Greek for a Jewish audience (John Shelby Spong also speaks of this last bit in his Jesus for the Non-Religious). It also makes sense when you consider that Paul himself never mentions Jesus as an historic figure. He actually doesn't even care really whether Jesus existed. It was never important to Paul or to the movement he advocated. This last because Jesus never existed in the first place. Spong has a different conclusion about Jesus' existence in his book, and his reasons are interesting.

I center myself around Christianity here mainly because it is that movement which is responsible for eradicating the other mystery cults that competed with it and directly or indirectly has caused most of the pain and suffering our race has endured for 2000 years. All this for a man who died so long ago if he even existed in the first place.

Personally I say sod the whole thing. All of it.

Zen Buddhism states that once you reach the other shore of enlightenment you leave the boat behind. Drop the crutch you needed to get across the room. Look at the moon, not the finger pointing to it. I can go on with the metaphor if necessary. I love the honesty in Zen. If you see the Buddha on the road, kill him. same goes for any godman.

My finger points to this: There comes a time, as Paul said, when you drop childish things. Religion is one of those things. If you want to know the nature of good and evil, look no further than the second chapter of the Tao Te Ching.

Jesus is dead, Lao Tzu is dead, Baba is dead, Buddha is dead, God is dead. So's Neitzsche but he actually existed. So did Baba for that matter....

I will leave you with three concepts: Heisenberg's Uncertainty Principle, "all you need is love," and the words of Zen Master Seung Sahn: Cultivate 'don't-know' mind.

Thursday, January 8, 2009

Song

Energy expansive
Uncontained
Unlimited
Dances and
Spins and
Collimates and
Pools.

Collect,
Coagulate here.
See how patterns freeze
Into matter.

Patterns like letters
Writ one and other
And another again.
The patterns write themselves
Over and over and over.

Notes to paper
To eye
To hand
To sound again,
The symphony moves along.

To eye
To hand
To sound again
And again
And again.

Stop and listen
As you write
Your self.

Wednesday, January 7, 2009

Love is l'oeuvre

This is in response to an e-mail sent to me by a dear friend. The subject was how each decade of our lives is like a chapter in a novel. Her message to me, like most all of the e-mails she sends, matches what I am thinking at that very time. Weird, eh Johnie?

Each passing decade has felt like a chapter in a novel. I was in a relationship throughout my twenties where I didn't know what I was doing. I didn't understand *how* to love, and didn't do a great job. That relationship ended a few days before my thirtieth birthday. In my thirties I did what I should have done in my twenties, I suppose: I did a lot of dating. A lot of indiscriminate dating. I sought love like it was a quest and found ashes instead. I spent some of the back half of my thirties trying to die because I saw what my life had been: A chasing of addictions.

What I have found at this point is that love is l'oeuvre. Taken one way, like in tennis, it means nothing. Not that love is meaningless, everything and nothing have the meaning you give to them. Otherwise your treasures are just these little baubles. Trinkets. Insubstantial.

l'oeuvre also translates to "the work" or "the masterpiece." One's life is one's masterpiece, I suppose. But some of us have great editors who leave out or blur some of the less savory portions. 

In the end, I am not sure if I care what meaning my life has to others. I care about other people but you cannot shake an addict from his/her addiction. And we are all chasing addictions. 

Chasing personal addictions and battling affronts to our egos. This is the real story of the human race. Not feeding our families and seeking shelter, the rest of the animal kingdom manages to do all that well enough without the need for nuclear weapons, god myths and political parties. Nope, it's all about where the next fix is coming from and who pissed us off today. Hang out with some active addicts sometime and you will see a perverse version of human existence. Or perhaps it is human existence in super-saturated color.

On the other hand, save yourself the misery and really look at what means anything to you. If it's your kids or your family, then bravo. But still, ask yourself why. Is it for them, or for the ego inside you?

Thursday, January 1, 2009

Happy New Year.

I for one am glad to be rid of 2008. It was a good year in spots, but not all round. 

I lost some things during this year, but all loss and gain are are what we quantify. They mean nothing except in the context we give. This was a clean and sober New Year's, like many others I've had before, actually. And that is one thing I have gained: Another clean day.

Again though, it's all context.

I am still twisted up in myself. Like unraveling a knotted length of cord, one knot leads to another and another again. Alexander didn't have a problem with this. He cut the cord and the cord un-knotted itself.

So what cords do I cut? The cord of escape, I guess, for one. The escape that chemical assistance once gave, or the addictive pleasure of another's body and mind in mutual escape. That particular pleasure always got me knotted up further. Too many times I would pour my loneliness and lust and need into the body of another for the same sort of succor that I later looked to chemicals for. At the time I thought these were events of love but looking back they were examples of chasing various lusts. No. Chasing implies that I had control for any length of time. Led along might be the better description. 

And no, I was not led around by my dick. You give my storied appendage too much credit. I was led around by loneliness. By a need for attention and affection. To be shown that I matter. With the chemicals later on, I was looking for escape. And death. I was always looking for the toke/hit/sip that would end it all. Oops! Had no idea that one would stop my heart. It was an accident, I swear ta god...

Hah. Kill me? There is no me to kill. The ego is a slippery beast. The biggest knot of all. The true Gordian Knot. 

And so, as I sit here on January 1, 2009, I feel content. Happy even. This year will be what it will be, but so far I walk into it happy, clean and clear.

I hope you do the same, whomever you are.